Each of the four landscapes captured a facet of our high school experiences. One section, Wagon on Fire, recalled the moment our station wagon burst into flames near the football bleachers, to the chants of "burn, burn, burn." This landscape—tonal reds layered with beaded smoke and tufts of Angora bunny hair—evoked the fear, chaos, and drama of that memory.
Through Shaboygen, we explored the intersection of vulnerability and memory, turning personal history into art on a monumental scale. The experience of showing in Austria among a cohort of boundary-pushing New York artists was unforgettable—a moment of international visibility during a time of artistic transformation.