To us, the piece spoke to fragility and strength, to harm and healing. There’s something moving about acknowledging pain or damage while celebrating the recovery, the scar, the resilience. Tucked among the inner details were white trinkets salvaged from the former belt factory at the Invisible Dog Art Center, further deepening the piece’s layers of memory and materiality.
Exhibited among works by artists Yayoi Kusama, Sol LeWitt, Robert Gober, and Liza Lou, White Wound became a quiet but powerful presence—a tribute to craft, intimacy, and the personal histories woven into even the most monochrome of works.