Private Commissions

Antique Cuff

2004

Commissioned by Bee Ladd, Brooklyn, New York
Medium: 19th-century metal beads, thread, silver clasp
Dimensions: 6 3/8 x 2 x 1/4 in.
Photograph: Courtesy of the artists

Commission Overview
This cuff was created for our sister Bee in 2004, one of our earliest and most steadfast champions. At that point in our practice, her commissions and support often helped us pay rent and stay afloat in New York, while also encouraging us to keep pushing the intricacy of our beadwork.

Artistic Approach
The cuff is composed of 19th-century antique metal beads stitched entirely by hand using peyote stitch, without the aid of a loom. William carefully constructed the pattern bead by bead, almost like laying miniature bricks. Small circular floral motifs in green, red, purple, and blue repeat across the surface. Originally, these circles were far more vibrant; over time, the colors have faded, leaving behind a softer patina.

At either end, the cuff was finished with peyote-stitched carriers that connect to a tubular silver slide-lock clasp. This construction method provided both durability and elegance, and became a hallmark of our early jewelry practice.

Engagement and Impact
For Bee, the cuff was a personal and wearable artwork, but also part of her ongoing role as a believer in our vision. She wore these pieces proudly and consistently encouraged us at a time when we were building our voice and living hand-to-mouth in Brooklyn.

Context and Legacy
This cuff is one of the rare beadworks in which William incorporated circular motifs, a departure from the geometric patterns more typical of our practice. It was later photographed in 2014 for the exhibition Function and Fantasy at the Mingei International Museum, where it stood as a record of both our early explorations with antique materials and the deep role of family support in sustaining our practice.